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Your selections:
The Problem of "America" in 'Éloge de l’amour'
- Ford, Hamish
Situating Ingmar Bergman and world cinema
- Ford, Hamish, Humphrey, Daniel
A stealthy revolution: tradition and destabilisation in ousmane sembène's 'Moolaadé'
Dancing with death: Whity, a singular Western
Charting the web: at the demonic, utopian heart of Rivette's 1970s Cinema
Producing revolutionary history on film: Henri Lefebvre's urban space and Peter Watkins' La Commune (Paris, 1871)
Generative apogee and elegiac expansion: European film modernism from Antonioni to Angelopoulos
Hard clarity, vaporous ambiguity: the fusion of realism and modernism in Antonioni's early 1960s films
On slippery ground: Robert Altman, beyond Hollywood or modernism
The porous frame: visual style in Altman's 1970s films
Two or three things I know about her
Driving into the void: Kiarostami's 'Taste of Cherry'
From otherness 'over there' to virtual presence: Camp de Thiaroye - the Battle of Algiers - Hidden
Post-war modernist cinema and philosophy: confronting negativity and time
Broken glass by the road: Adorno and a cinema of negativity
The return of 1960s modernist cinema
Andrei Roublev
Screening the 'other' Deutschland
The Silence
Consistent pickings but few difficult pleasures (55th Sydney Film Festival)
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